Peer-Reviewed Journal Articles 

“Passing as Morisco: Concealment and Slander in Mira de Amescua’s El mártir de Madrid.” (Forthcoming in Journal for Early Modern Cultural Studies.)  

“Staging Muhammad: A Subversion of the Hagiographic Genre in Vida y muerte del falso Profeta Mahoma.” Bulletin of Hispanic Studies 97.8 (2020): 807-21. 

“Un romance gallardo: notas sobre la maurofilia literaria en Los moriscos de Hornachos.” [“A Gallant Ballad: Notes on the Maurophilic Literature in Los moriscos de Hornachos"]

           MLN 135.2 (2020): 409-23.

“Staging the Unspeakable: Slavery, Torture, and the Expulsion of Moriscos in El Hamete de Toledo.” ehumanista/ Conversos 41 (2019): 262-74.

“Theater Reminiscences: The Politics of Memory after the Expulsion of the Moriscos.” Journal of Spanish Cultural Studies 19.3 (2018): 281-96.

          * This essay received the Matthew Stroud Award Prize by the AHCT.

“La expulsión de los moriscos en El gran Patriarca don Juan de Ribera de Gaspar Aguilar: un festejo a medias.” [“The Expulsion of Moriscos in Gaspar Aguilar’s The Great Patriarch

            don Juan de Ribera: A Half-Hearted Celebration.”] Bulletin of the Comediantes 66.2 (2014): 27-44

Peer-Reviewed Book Chapters

 “Dangerous Performance: Francisco de Arellano’s Auto de la destruyción de Troya.” Living the Comedia. Essays Celebrating Amy Williamsen, edited by Esther Fernández, and J. Yuri

            Porras. New Orleans: University Press of the South, 2020. 65-76.

“Staging Strikes and the Morisco Problem in Valencia.” Social Justice in Spanish Golden Age Theater, edited by Tania de Miguel Magro, Mina García-Soormally, Erin Cowling, and

            Glenda Nieto-Cuebas. Toronto: U of Toronto P, 2020. 69-81. (Forthcoming)

“Courting the Female Body: Towards a Poetics of the Conquest in Lope de Vega’s El Nuevo Mundo descubierto por Cristóbal Colón  [The New World Discovered by Christopher

            Columbus].” Female Amerindians in Early Modern Spanish Theater,  edited by Gladys Robalino. Lewisburg: Bucknell University Press, 2014. 9-28.

Manuscripts in Progress

“Breaking the Fourth Wall in Captivity Plays: Cervantes’ Use of Theatrical Acts in Algiers” [Journal Article; Co-authored with Dr. Mina García Soormally; 7,997 words written]

“Los moriscos y el mundo mediterráneo  en “Aventurarse perdiendo” de María de Zayas [Moriscos and the Mediterranean World in María de Zayas’s “Aventurarse perdiendo”] [Journal Article; 2, 325 words written]

Domestic Enemies: Staging Moriscos in Early Modern Spanish Theater [Monograph; 25, 769 words written]

Scholarly Reviews and Notes

 

Book Review, Wolfram Nitsch, El teatro barroco como campo de juego: Estudios sobre Lope de Vega, translated by Elvira Gómez Hernández. Kassel: Edition Reichenberger, 2018.  

           Renaissance Quarterly 73.1 (2020): 351-52.

 Book Review,  Félix Lope de Vega Carpio’s El príncipe inocente, ed. Tania de Miguel Magro y Erin Cowling, Valladolid, Editorial Agilice Digital, 2018, 129 pp.” Hipogrifo: Revista de

           literatura y cultura del Siglo de Oro 7.2 (2019): 127-29.

Theater Review, El valiente negro en Flandes, de Andrés Claramonte, Coproducción de Iria Producciones, De Amarillo Producciones y Acafrao Producciones con la

          colaboración de Fundación Siglo de Oro. Comedia Performance 16.1 (2019): 112-14.

Book Review, “Arboretum, Jotacé López” Latin American Literature Today 1. 4 (2017)